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・ Dorothea Pertz
・ Dorothea Primrose Campbell
・ Dorothea Puente
・ Dorothea Quarry
・ Dorothea Rockburne
・ Dorothea Rudnick
・ Dorothea Röschmann
・ Dorothea S. Clarke Professor of Feminist Jurisprudence
・ Dorothea Schjoldager
・ Dorothea Sharp
・ Dorothea Smartt
・ Dorothea Sophia, Abbess of Quedlinburg
・ Dorothea Susanne of Simmern
・ Dorothea Tanning
・ Dorothea Tieck
Dorothea Trowbridge
・ Dorothea Viehmann
・ Dorothea von Ertmann
・ Dorothea von Medem
・ Dorothea von Rodde-Schlözer
・ Dorothea von Salviati
・ Dorothea von Schlegel
・ Dorothea von Stetten Art Award
・ Dorothea von Velen
・ Dorothea Waddingham
・ Dorothea Wagner
・ Dorothea Waley Singer
・ Dorothea Warren O'Hara
・ Dorothea Weber
・ Dorothea Wendling


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Dorothea Trowbridge : ウィキペディア英語版
Dorothea Trowbridge
Dorothea Trowbridge (first name also spelled Dorthea, Doretha) was an American blues singer active in St. Louis in the 1930s. A few recordings by her remain, at least one of which includes lyrics on the theme of "grinding", a blues slang term for copulation.
==Career==
Trowbridge was a singer in St. Louis in the early 1930s, and she was taken to Chicago in 1933 to record a number of songs.
One of her recording sessions was with James "Stump" Johnson on August 2, 1933, during which she recorded a version of the raunchy "Steady Grinding".〔 It is likely that she is identical with Dorothy Baker, who recorded the song "Steady Grinding Blues" with Roosevelt Sykes〔 in 1930 and/or 1934 (Decca 7080).
She is credited for the words and music of the song "Bad Luck Blues", which she recorded in 1933; it is registered in the US Copyright Catalog for January 24, 1935.
In his memoir, Henry Townsend recalled that she was at one time the girlfriend of pianist Roosevelt Sykes and that she got to record through Sykes, or possibly through Jesse Johnson, the brother of "Stump" Johnson; he also mentioned that in the early 1930s she was singing in many places around town, and had recorded with St. Louis pianist Pinetop Sparks ("Slavin' Mama Blues"). "Slavin' Mama Blues" is included in an anthology of Barrelhouse blues, ''Barrelhouse women 1925-1933'' (1984).〔(【引用サイトリンク】title=Table of Contents: Barrelhouse women 1925-1933 )〕 In recent scholarship, the explicit lyrics for "Steady Grinding" (and those for "Steady Grinding Blues", "grind" meaning "to copulate") have drawn attention for the statements they make about female sexuality and empowerment among African American women of the early 20th century; among those early blueswomen scholars find "numerous open declarations of erotic desire".

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